Film Music Reporter’s Top 10 Original Scores of 2016 (in alphabetical order):
Following their acclaimed work on Prisoners and Sicario, Johann Johannsson and director Denis Villeneuve collaborated for a third time on the sci-fi drama Arrival, resulting in arguably the most original score for a major studio release this year. Using processed electronics in combination with manipulated vocals and orchestra, the composer created an otherworldly sound that gives the movie a unique feel. Johansson’s score is available on Deutsche Grammophon. (Standout tracks on soundtrack album: Heptapod B, Kangaru, Arrival).
Another director/composer relationship that produced yet another memorable work is Steven Spielberg’s and John Williams‘ 28th collaboration on The BFG. The composer wrote a purely orchestral score with some of his most playful writing in years for the underrated movie and proved once again that he is still at the top of his game when it comes to orchestration and thematic writing. Williams’ music is available on Walt Disney Records. (Standout tracks: Finale, Sophie and the BFG). Read the rest of this entry »
