Premiering tonight is the new Showtime original series Moonbase 8 created by Fred Armisen, Jonathan Krisel, Tim Heidecker & John C. Reilly and starring Armisen, Heidecker and Reilly themselves. The show’s original music is composed by Steven Drozd of The Flaming Lips who made his scoring debut on the comedy. The A24 production centers on […]
Posts Tagged ‘The Liberator’
Weekly TV Music Roundup (November 8, 2020)
Posted: November 8, 2020 by filmmusicreporter in TV Scoring AssignmentsTags: A Teacher, Alex Rider, Amazon, B Positive, Ben Holst, CBS, Dennis C. Brown, FX on Hulu, Grant Geissman, HBO, IMDb TV, Industry, Jamie Christopherson, Jason Todd Shannon, Keegan DeWitt, Mikolai Stroinski, Moonbase 8, Nathan Micay, Netflix, Raffertie, Showtime, Steven Drozd, The Liberator, The Ride
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Weekly Film Music Roundup (October 3, 2014)
Posted: October 3, 2014 by filmmusicreporter in Film Music NewsTags: A Good Marriage, Angel Roché Jr., Annabelle, Atticus Ross, Bibio, Bryce Jacobs, Danny Bensi, Drive Hard, Gone Girl, Gustavo Dudamel, Jack Lenz, Joseph Bishara, Left Behind, Martin Leon, Men Women & Children, Saunder Jurriaans, The Good Lie, The Hero of Color City, The Liberator, Trent Reznor, Zoë Poledouris-Roché
Three new movies are opening nationwide this weekend: Opening in most theaters is the horror thriller Annabelle directed by John Leonetti, produced by James Wan and starring Annabelle Wallis, Alfre Woodard, Tony Amendola, Eric Ladin and Brian Howe. The film’s original music is composed by Joseph Bishara (The Conjuring, Insidious, Dark Skies). WaterTower Music has released […]
‘The Liberator’ Soundtrack Details
Posted: June 19, 2014 by filmmusicreporter in Film Music AlbumsTags: Gustavo Dudamel, Libertador, score, Soundtrack, The Liberator
Deutsche Grammaphon will release the official soundtrack album for the historical drama The Liberator (Libertador). The album features the film’s original music composed by Los Angeles Philharmonic director Gustavo Dudamel and performed by the Simón Bolívar Symphony Orchestra. The project marks the first scoring assignment of Dudamel who consulted with John Williams in preparations for his music. […]
