Posts Tagged ‘Matthew Margeson’

Four new movies are opening in wide release this weekend: Expected to top the weekend box office is the drama The Butler starring Forest Whitaker, Oprah Winfrey, John Cusack, Jane Fonda, Cuba Gooding Jr., Terrence Howard, Mariah Carey, Lenny Kravitz, James Marsden, David Oyelowo, Vanessa Redgrave, Alan Rickman, Liev Schreiber and Robin Williams. The film’s […]

Matthew Margeson is currently scoring the upcoming indie thriller The Curse of Downers Grove. The film is directed by Derick Martini (Lymelife, Hick) and stars Bella Heathcote, Lucas Till, Penelope Mitchell, Kevin Zegers, Helen Slater and Tom Arnold. The movie based on a novel by Michael Hornburg is set in Downers Grove, Illinois, a suburb […]

The details of the score album for the superhero action comedy sequel Kick-Ass 2 have been revealed. The album features the film’s original music composed by Henry Jackman (Wreck It Ralph, X-Men: First Class) and Matthew Margeson (Transformers Prime, Skyline). The soundtrack will be released digitally on August 13, 2013. A physical deluxe extended edition including […]

(Updated from a previous article posted on July 5). The line-up for two film music-related panels at Comic-Con 2013 has been announced. On Thursday, July 18, a number of film directors and composers will participate in the panel The Anatomy of Superhero Film Music: Bringing a Comic Book to Life. Composer Marco Beltrami and director […]

According to the film’s new trailer, Matthew Margeson is scoring the upcoming superhero action comedy sequel Kick-Ass 2. The film is directed by Jeff Wadlow (Never Back Down, Cry Wolf) and stars Aaron Taylor-Johnson, Chloë Grace Moretz and Christopher Mintz-Plasse who all return from the 2010 original film and are joined by Jim Carrey who […]

Three new movies are opening wide this weekend: Tony Scott’s new thriller Unstoppable starring Denzel Washington, Chris Pine and Rosario Dawson features a score by Harry Gregson-Williams. The movie has received the best reviews for any movie by the director in over a decade. The score has been described as a hybrid electronic/orchestral score in […]