Tag: Matthew Margerson

Weekly TV Music Roundup (April 6, 2025)

Premiering on Tuesday, April 8, is the Netflix original documentary series The Clubhouse: A Year with the Red Sox directed by Greg Whiteley about the historic sports team 2024 season. The show’s original music is composed by Zach Robinson (Cobra Kai, Weird: The Al Yankovic Story, Matlock, Your Friendly Neighborhood Spider-Man, Obliterated, Twisted Metal, Fright Krewe). A soundtrack album featuring the composer’s score will be announced soon. Check out our previous article to learn more about the 8parer, which will be available to stream exclusively on Netflix.

Premiering on Thursday, April 10, is the seventh season of the Netflix anthology series Black Mirror created by Charlie Brooker. The six new episodes were scored by (click on the episode title for more details of each episode): Daniel Pemberton (Spider-Man: Into/Across the Spider-Verse, Steve Jobs, Enola Holmes, The Man from U.N.C.L.E.): USS Callister: Into Infinity & Bête Noire, Brian Reitzell (Stranger Than Fiction, 30 Days at Night, Friday Night Lights, Beginners,): Plaything, Matthew Herbert (Disobedience, The Wonder, A Fantastic Woman, Gloria Bell) & Lucinda Chua (Zona): Eulogy, Ames Bessada (Black Mirror: Joan Is Awful, Astrid and Lilly Save the World): Common People and Ariel Marx (Shiva Baby, Dying for Sex, Candy, A Small Light, Sanctuary): Hotel Reverie.

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Weekly Film Music Roundup (January 14, 2011)

Two new movies open wide this weekend:

The comic book adaptation The Green Hornet is directed by Michel Gondry and stars Seth Rogen, Jay Chou, Christoph Waltz and Cameron Diaz. The film’s score is composed by James Newton Howard. While no soundtrack release has been announced, an album is reportedly in the works. In the movie, Britt Reid, heir to his father’s large company, teams up with his late dad’s assistant Kato to become a masked crime fighting team. Visit the official movie webpage to watch trailers and learn more about the film. Also check out an interview with James Newton Howard on Spectrasonics where he talks about the synthesized instruments and sounds he used to create the score and his collaboration with director Michel Gondry.

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