The full details of the soundtrack album for Lynne Ramsay’s dramatic thriller You Were Never Really Here have been revealed. The album features the film’s original music composed by Academy Award nominee Jonny Greenwood (Phantom Thread, There Will Be Blood, The Master, Inherent Vice) who previously scored Ramsay’s We Need to Talk About Kevin. The soundtrack will be released digitally on March 9 in the U.S. by Lakeshore Records and overseas by Invada Records. Check back on this page for the pre-order link. CD and vinyl version are also in the works. You Were Never Really Here is written and directed by Ramsay and stars Joaquin Phoenix, Judith Roberts, Ekaterina Samsonov, John Doman, Alex Manette, Dante Pereira-Olsen and Alessandro Nivola. The movie follows a former war veteran who tries to save women trapped in the world of sex trafficking.
Tag: Lynne Ramsay
Jonny Greenwood Scoring Lynne Ramsay’s ‘You Were Never Really Here’
Jonny Greenwood has composed the music for the upcoming thriller You Were Never Really Here. The film is written and directed by Lynne Ramsay and stars Joaquin Phoenix, Alessandro Nivalo, John Doman, Ekaterina Samsonov and Judith Roberts. The movie is based on the Jonathan Ames novel of the same title and follows a former war veteran who tries to save women trapped in the world of sex trafficking. Ramsay is also producing the project with James Wilson (Under the Skin, Attack the Block), Rosa Attab and Pascal Caucheteux (Jackie, A Prophet). Greenwood has previously scored Ramsay’s last feature, We Need to Talk About Kevin.
Jonny Greenwood to score ‘We Need to Talk About Kevin’
The Hollywood Reporter is reporting that Jonny Greenwood has signed on to score the upcoming indie drama We Need to Talk About Kevin. The film is directed by Lynne Ramsay (Ratcatcher, Morvern Callar) and stars Tilda Swinton, John C. Reilly and Ezra Miller. The movie is based on a novel by Lionel Shriver and centers around the mother of a teenage boy who went on a high-school killing spree and tries to deal with her grief and feelings of responsibility for her child’s actions by writing to her estranged husband. The film marks only third major scoring assignment for the Radiohead member after having previously scored Paul Thomas Anderson’s There Will Be Blood in 2007 and the recent Japanese drama Norwegian Woods.